A Bit About Me.

(So you know where I’m coming from)

"I started playing back in the early 70’s on a kit that belonged to my brother. Playing was my form of ‘anger management’ back then, but out of that came discipline, creativity and obviously some musical talent. I’d sit down in the basement of our house, thrashing away at the kit taking in the tunes from the old Marble Arch compilation albums that were drifting down through the house as my brother played them on the record player.

My playing career started totally out of the blue. A band called Metre was playing locally to me in Kennington, but their drummer didn’t turn up. Somebody said there was a guy down the road about a quarter of an hour away, so they turned up at my door and I went and played. ………And it started from there.

Within weeks of the gig, I was the drummer with Cymande, a new band formed by ex-members of Metre - Patrick Patterson, Steve Skipio & Mike Rose. Cymande was an 8-piece ’Nyah Rock’ band, the original line-up being Patrick Patterson (guitar), Steve Skipio (bass), Mike Rose (sax). Sam Kelly (drums), Derek Gibbs (sax), Pablo Gonsales (congas), Peter Serreo (tenor sax) and Ray King (vocs). Desmond Atwell and Joey Dee later replaced Serreo and King. "

Although not well known in the UK, Cymande toured and recorded in the States between 1971 – 1974, releasing 3 singles (The Message, Bra and Brothers on the Slide) and 4 Albums (Cymande, Second Time Round, Promised Heights and Arrival). The band may not have been around for long in the 70’s but the Cymande legacy continues with Bra and The Message being sampled by Fugees, De La Soul and others. Cymande tracks have also been featured in the Spike Lee films, Crooklyn and 25th Hour. (Picture: Cymande 1971-2 in Balham before going to the States)

Fast Forward ………………. After Cymande split, Sam settled into the London gig scene with Sox (Chris Cameron, Mick Parker, Gordon Hunt & John Reed), who after a busy time on the pub/club circuit toured with Linda Lewis and Billy Ocean.  This was followed by a freelance stint in the 'drum seat' with both Jimmy Lindsay and Desmond Dekker. , Sam then went “rocking” around Europe with Roger Chapman & the Shortlist, Kevin Coyne, Michelle Shocked (pictured above), and many others.

"Just bear with me for a few seconds as I reminisce over some of the names I have worked with during the past years (How many names can you run through in a few seconds?) .................... Liz McComb, Sista Monica, Eddie Floyd, Big Joe Duskin, Johnny Mars, Screaming J Hawkins, Dr John, Diz Watson, Chaka Khan, Zoot Money, Precious Wilson, Fred James, Ben E. King, Eddie Floyd & Dorothy Moore, Lefty Diz, Mojo Bruford, Charlie Sayle, Plaz Johnson, The Butler Twins, Deacon Jones & Freddie Hughes, Billy C Farlow, Bill Thomas, Sonny Black & the Dukes, Wolfie Witcher & His Brew, Steve Waller, Hershey & The 12 Bars, The Bop Brothers, Gordon Smith, Shakey Vicks Blues Band, Chuck Farley and Root Jackson & The G.B. Blues Band, to name but a few (Yes, there are others, but I wouldn't like to bore you!)"

• Theatre Credits:

125th Street (West End), The Blues Brothers 1997 UK Tour, Ain't Misbehavin, Blues In The Night, All Or Nothing At All, Mass Carib, This Is My Dream - The Josephine Baker Story, Flash Trash and The Pirate Princess.

• TV & film credits:

• More Recently...

Drummer on Gordon Haskell’s top ten hit “How Wonderful You Are”

• Who do I currently play with?

In January/February 2008 Sam recorded the rhythm tracks for Gary Moore’s new album and shortly after, joined Gary for his 10-date tour in Germany.

Sam continues to work with his own bands - Sam Kelly’s Station House, Primo Blues and Sam Kelly’s Blues Band and also with the Papa George Band, Cymande, The Soul Britannia All-Stars, Chuck Farley, Giles Hedley & the Aviators Geoff Achison, Errol Linton and Francesco Boldini (Italy).

 

 

Endorsements:

SAM KELLY SIGNATURE KIT IS MADE FROM FLAMED BUBINGA WOOD

 

THE SPECIFICATIONS OF THE DRUMS ARE:

 

    TOM TOM 12"x12"  6 PLY 5.4 mm

    FLOOR TOM 16"x14"  7 PLY 6.3 mm

    BASS DRUM 24"x 20" 9 PLY 8.1 mm

    SNARE DRUM 14"x 6" 6 PLY 5.4 mm

 

ABOUT THE CVL COMPANY:

 

THE EXPERIENCE OF SORTING TYPES OF WOODS AND THE DEVELOPMENT OF TECHNOLOGY IN BUILDING SHELLS ALLOWS CVL TO BUILD DRUMS THAT ARE STRONG AND BUILT TO LAST, WITH GREAT PERFORMANCE. THANKS TO THIS TECHNOLOGY, CVL'S  DRUMS GIVE A GREAT SOUND WITH A PARTICULAR HARMONIC WARMTH AND AN IMPRESSIVE, FULL SOUND ("SONOROUS").

 

CVL'S TECHNOLOGY IS NEW TO THE FIELD OF MUSICAL INSTRUMENTS AND IT IS COMPLETELY DIFFERENT TO THE TECHNOLOGY USED BY OTHER MANUFACTURERS, PROVIDING A UNIQUE SOUND.

 

MOREOVER, THE ACTUAL FINISH OF THE DRUMS COMES FROM A UNIQUE VARNISHING PROCESS DEVELOPED DURING CVL'S LONG ASSOCIATION WITH THE AUTOMOTIVE INDUSTRY.

 

ALL FINISHES ON CVL DRUM KITS ARE VARNISHED, THEY DO NOT USE COVERS OR OTHER PRODUCTS ON THE SHELLS SO AS NOT TO CHANGE THE NATURAL SOUND OF THE WOODS.